Mandagarana

او که شادمانی مردم من را نمی خواهد از ما نیست ، او برده بی مزد اهریمن است. زنان میهن من بزرگوار و برازنده اند ،خان و مان مردم من شادمان و سترگ است ، پدران ما دانا و فرزندان ما دلیرند ،بدین ‌نشان هرگز شکست نخواهیم خورد بدین ‌نشان هرگز فریفته نخواهیم شد. کوروش کبیر

تابلو گل و بلبل مربوط به قرن 19 میلادی - دوره قاجار
نویسنده : Gareaghaji - ساعت ٢:۱٠ ‎ق.ظ روز یکشنبه ٤ دی ۱۳٩٠
 

Rose and nightingale (gul-o-bul-bul) drawing, 19th century; Qajar 

Iran  Ink and color on paper 17 x 21 1/2 in. 43 x 54.5 cm


In this drawing, a rich assemblage of birds gather in the branches of a blossoming tree and a pair of partridges stand on the mound of earth below. The drawing is executed in an exacting pointillist technique in shades of gray; the reddish brown wash over the tree trunk adds a hint of warmth. The gul-o-bul-bul, or rose and nightingale, motif was employed in both Persian literature and painting. In poetry, the two stood in for the beloved and the loved, entwined in either an earthly or divine union. In art, the motif appeared on all types of objects, and during the Qajar period proliferated to the extent that it came practically to symbolize the country itself. It became especially popular among European collectors, who demanded goods and albums decorated with this motif. Shiraz, where this drawing might havebeen made, was an important center for the production of architectural tiles